This has nothing to do with ego it’s business. Even movies with buddy-cop teams always have one of those characters featured more than the other. But no one is going to want Angelina Jolie, for instance, to be ‘up-staged’ by someone playing a side character no matter how compelling they are. They can certainly be more fun than your main character and so you sometimes tend to write them in an increasingly bigger role. There is no doubt that when creating a story, side characters begin to take over at times, so you have to watch how much time they take up in a scene or overall in a script. I’ve seen student scripts with five pages of no main character which means no star. In the real world (such as Hollywood is from the Show Business standpoint) no company hires a star of note and then allows them to be missing for more than a page or maybe two. I tell my film students all the time that writing a sequence of scenes that doesn’t feature the main character is going to get them into trouble. Macs and PCs have different menus, so you’ll have to adjust accordingly.īeyond the basics, how do we use this great feature as both a writing tool and a teaching tool? I have some ideas, but I’m sure once you get into it, you’ll come up with many more. For more detailed info on how to do tagging, watch this great tutorial on the mechanics of doing tags. Characters, scene headings, concepts, etc. Tags are highlighted text that then can be viewed and reported on. Let’s drill down a bit into this feature and see the full scope of what can be done. If your film class is doing a film project, you can tag the script with all sorts of identifiers and keep track of everything efficiently-and that's just the simplest use of tagging. Perhaps this might seem of limited use to writers, but it’s invaluable to production. sub-tag also shows up with information on what scene he’s in and what’s needed. Every time RAY shows up in a scene, his BADGE/I.D. (or perhaps generically COP STUFF) and run a report on that tag. You could tag the cop character, RAY, and then add a sub-tag called BADGE/I.D. is present on the set every time that character is in a scene. From a production standpoint, for example, let’s say you have a cop character, and you need to be sure that a BADGE/I.D. Tagging in Final Draft is about having a way to identify and then collate elements. Final Draft has some amazingly advanced tools-like Beat Board-Tagging is another one.
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